He's Back On Screen: 5 Emraan Hashmi Soundtrack Songs You Can Play on Guitar Right Now

Nearly 19 years after Awarapan turned "Toh Phir Aao" into a cult anthem for heartbreak, Emraan Hashmi is returning to one of his most iconic roles in Awarapan 2, releasing in cinemas on August 14, 2026 — the Independence Day weekend. The teaser has already reignited the original's haunting soundtrack, and the first song from the sequel, "Ve Junoon," dropped on July 7, 2026, to a flood of nostalgia online.

If there's one actor whose filmography doubles as a guitar songbook, it's Emraan Hashmi. Long before "sad-boy playlists" were a genre, his soundtracks — Murder, Gangster, Zeher, Jannat, Awarapan — were quietly training a generation of Indian guitarists on minor-key progressions, capo work, and how to make four chords sound like heartbreak.

With the Awarapan franchise back in theatres, there's no better time to relearn — or finally learn — the songs that built his soundtrack legacy. Below are five of them, from pure beginner territory to songs that will test your barre chords. Each one comes with the real chords, what makes it work, and a pro tip to make it sound right.
19 YrsSince Awarapan
Aug 142026 Release
5Songs to Learn Today
100+Movie Soundtrack Hits

Toh Phir Aao

Awarapan (2007) · Key of A minor · No Capo · Beginner

The Vibe

This is the song that made Awarapan a cult film long after it left theatres. Sung by Mustafa Zahid and composed by Pritam, "Toh Phir Aao" is the sound of restless, unresolved grief — the emotional core of the whole film. The melody is deceptively simple, which is exactly what makes it such a good beginner song.

The Technique

The entire song rides on a three-chord loop: Am → F → G, repeating through the verses, chorus, and the "aa bhi jaao" hook. No key change, no bridge to throw you off — once you've got the Am to F switch down, you've basically learned the whole song. Tempo sits around 103 BPM.

🎸 Guitar note: Because the song never leaves this three-chord pattern, it's one of the best songs for practising smooth, musical chord changes rather than just correct ones — the emotional weight depends entirely on how cleanly you move between Am and F.
Pro Tip: Play the Am–F change first with just down-strokes at a slow tempo, focusing on keeping your ring and middle fingers anchored in roughly the same shape between the two chords. Once automatic, add the G and bring in a gentle down-down-up-up-down strum.

Woh Lamhe

Zeher (2005) · Key of G# minor · Capo 4 · Beginner

The Vibe

Zeher was one of Emraan Hashmi's earliest soundtrack-driven hits, and "Woh Lamhe," sung by Atif Aslam, is the song that put both the film and the singer on the map in India. It's a slow-burning, rain-soaked breakup song — practically built for a single acoustic guitar and a quiet room.

The Technique

Put a capo on the 4th fret and play the simple open shapes Em → D → C → G — the capo does all the work of matching the original pitch while your fretting hand stays in easy, beginner-friendly territory. The verse and chorus both loop through the same four chords.

🎸 Guitar note: This is a great "second song" to learn right after your very first chords — it uses the exact same Em–D–C–G family that shows up constantly in beginner songbooks, but the capo gives it a completely different, richer emotional colour.
Pro Tip: Without the capo, this song will sound "correct" in chord shapes — but it'll sit in a lower, flatter register. Always capo up to fret 4 before you start if you want to sing along with Atif Aslam's actual vocal range.

Zara Sa

Jannat (2008) · Key of B minor · No Capo · Beginner—Intermediate

The Vibe

"Zara Sa" is KK at his most tender, and it remains one of the most covered Emraan Hashmi soundtrack songs on YouTube — the melody sits beautifully on acoustic guitar. It's a song that rewards good dynamics more than complicated chord work.

The Technique

The verse runs on Bm → G → A, with the chorus adding a touch of D. This is one of the few songs on this list built around Bm as its home chord — a great song to build genuine barre-chord confidence. No capo needed.

🎸 Guitar note: Because Bm is the tonal center here (not just a transition chord), getting a clean, ringing Bm makes a bigger difference to this song than almost any other on this list.
Pro Tip: Practice holding Bm for a full 8-count while strumming before adding chord changes. Most buzzing on barre chords comes from the fretting-hand thumb sitting too low on the back of the neck — bring it up behind your first finger for more leverage.

Bheegi Bheegi

Gangster (2006) · Key of E minor · No Capo · Beginner

The Vibe

Gangster gave Emraan Hashmi one of his most soulful soundtracks — and "Bheegi Bheegi," sung by James, is the standout. It's melancholic without being heavy-handed, and the chord progression is genuinely one of the easiest full songs on this entire list.

The Technique

The verses sit on a simple Em → G → F movement, while the "na jaane koi" hook briefly adds C and D for extra colour before resolving back to Em. Played entirely in open position — no capo required.

🎸 Guitar note: The vocal runs between lines are a great place to practise letting a chord ring out fully rather than immediately muting it — the space between chord changes is doing as much emotional work as the chords themselves.
Pro Tip: Try fingerpicking the verses instead of strumming — a simple thumb-and-two-finger pattern (bass note, then two higher strings) suits this song's mood far better than a full strum, and it's an easy way to start learning fingerstyle.

Kaho Naa Kaho

Murder (2004) · Key of B minor · No Capo · Beginner—Intermediate

The Vibe

"Kaho Naa Kaho," sung by KK, was the song that made Emraan Hashmi's soundtrack sensibility a signature — moody, romantic, unmistakably early-2000s. Two decades later it's still a staple at guitar circles.

The Technique

The song runs on Bm → F#m → A → G, an emotionally rich minor-key progression. Like "Zara Sa," this one lives in barre-chord territory and is played without a capo, making it a good companion song to build that technique further.

🎸 Guitar note: F#m is the trickiest shape here — it sits higher up the neck than the open-position chords most beginners start on. Anchor your first finger as a full barre across all six strings at the 2nd fret before adding the rest of the shape.
Pro Tip: Practice moving directly between Bm and F#m on their own, back and forth, for a few minutes before attempting the song — both are barre shapes with your first finger doing the anchoring, so building that muscle memory in isolation pays off fast.

From the Screen to Your Strings

Emraan Hashmi's soundtrack legacy is built on aching minor keys, simple progressions, and songs that sound better the more honestly you play them. That's exactly why they've stayed guitar-circle staples for two decades, and why Awarapan 2's release is the perfect excuse to pick these songs up again.

Start with the Am–F–G loop in Toh Phir Aao. Get comfortable with capo-4 open shapes on Woh Lamhe. Build your Bm strength on Zara Sa and Kaho Naa Kaho. These five songs, in order, are basically a mini-course in Bollywood rhythm guitar.

The film releases August 14. The songs have already been playing for two decades.

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Frequently Asked Questions

The easiest ones to start with are Toh Phir Aao (a simple Am—F—G loop, no capo needed) and Bheegi Bheegi (Em—G—F, all open chords). Woh Lamhe is also very beginner-friendly — capo on fret 4, play Em, D, C, G. Zara Sa and Kaho Naa Kaho are slightly more advanced since both are built around barre chords.
Toh Phir Aao uses just three chords — Am, F, and G — in the key of A minor, with no capo required. It's one of the simplest full Bollywood songs to learn.
Yes — place a capo on the 4th fret and play the open shapes Em, D, C, and G. The original by Atif Aslam is in G# minor; the capo lets you match that pitch with easy open-chord shapes.
Awarapan 2 releases on August 14, 2026 — Independence Day weekend in India. Directed by Nitin Kakkar, starring Emraan Hashmi, Disha Patani, and Shabana Azmi.
Zara Sa uses Bm, G, A, and D in the key of B minor, with no capo needed. Great for building Bm barre-chord confidence.
Kaho Naa Kaho moves through Bm → F#m → A → G, played without a capo. Both Bm and F#m are barre-chord shapes.