From the Big Screen to the Fretboard: 5 Iconic MJ Hits You Can Play on Guitar Today
Michael, the long-awaited biopic directed by Antoine Fuqua and starring MJ's real-life nephew Jaafar Jackson, landed in cinemas on April 24, 2026. It's already one of the most talked-about films of the year — and within hours of people leaving theatres, guitar searches for Michael Jackson songs spiked across the internet. That reaction tells you everything. His music doesn't just sit in a playlist; it makes you want to play.
The film covers MJ's journey from the Jackson 5 era through his stratospheric rise as the King of Pop. Whether you've already seen it or you're heading to the cinema this weekend, there's no better time to pick up your guitar and plug into one of the greatest songbooks in pop history. The MJ movie is a reminder that this music has a pulse — and that pulse translates to six strings in ways that might surprise you.
Below you'll find five MJ songs arranged for guitar — from pure beginner territory all the way to tracks that will genuinely stretch your technique. Each one has the core chords, a breakdown of what makes the guitar part special, and a pro tip to help you sound like you've been playing it for years. Let's go.
Billie Jean
Thriller (1982) · Key of F# minor · Capo 2 · Beginner
The VibeBillie Jean is arguably the most recognisable bass line in the history of popular music. The Thriller album track that launched a thousand moonwalks, it sits in a hypnotic F# minor groove that locks you in from the first beat and doesn't let go. On guitar, the magic of Billie Jean is that the two-chord vamp — back and forth, over and over — forces you to develop genuine rhythmic feel. You can't fake it. Either you're in the pocket or you're not.
The TechniquePlace a capo on fret 2 and play in the key of E minor (sounds as F# minor). The entire verse is built on a two-chord vamp: Am → G, repeating in a tight, funky 16th-note pattern. The real skill here is not the chord shapes — it's the muting. Use the heel of your strumming hand to lightly mute the strings while you strum, giving that clipped, staccato feel that defines the groove. The pre-chorus adds F and E, and the whole song never strays beyond these four chords.
Beat It
Thriller (1982) · Key of E minor · No Capo · Beginner–Intermediate
The VibeBeat It is where Michael Jackson walked into rock's territory and planted his flag. He commissioned Eddie Van Halen to play the guitar solo — a decision that changed both pop and rock history. The song was MJ's deliberate statement that barriers between genres were his to break. The result is one of the most electric two-minute guitar solos ever recorded, wrapped around a deceptively simple but ferocious rhythm guitar part. For guitarists, learning Beat It is a rite of passage.
The TechniqueThe main riff centres on Em and D power chords, played with heavy palm muting. Rest the heel of your picking hand lightly across the strings near the bridge — not too heavy, or you'll choke the sound completely — and strum with short, aggressive downstrokes. That tightness is the defining sound of the intro riff. The verse transitions to Em → D → Am → Em, still muted. For the Eddie Van Halen solo: don't attempt it until you've built speed with a metronome. Start at 60% tempo and work up over weeks.
Black or White
Dangerous (1991) · Key of G major · No Capo · Beginner
The VibeBlack or White was Michael Jackson's most overtly rock song — and the world's introduction to it was Slash, in a leather jacket, shredding on the roof of the White House in the music video. The track topped charts in 10 countries simultaneously and the music video set viewership records in 1991. More than three decades later, it still sounds like the world's most expensive garage band loosening up. For beginner guitarists, it has one of the most satisfying opening riffs in pop history — loud, crunchy, and immediately recognisable.
The TechniqueThe iconic opening riff is built on a G power chord figure that resolves downward — G5 → F5 → G5 — played with a slightly overdriven tone and a steady downstroke attack. The main song groove then sits on a G–C–D–Em progression. All open chords, all beginner-friendly shapes. The key to the riff sounding right is pick angle: keep your pick perpendicular to the string and let it dig in rather than gliding across. That's where the crunch lives.
They Don't Care About Us
HIStory (1995) · Key of B minor · Capo 2 · Beginner
The VibeThey Don't Care About Us is Michael Jackson at his most politically charged — a driving, percussive anthem built on pure rhythmic tension. The Brazil version of the music video, shot by Spike Lee in the favelas of Rio, remains one of the most visually striking music videos ever made. The guitar part on this track is almost entirely rhythmic and percussive rather than melodic, which makes it a brilliant training ground for developing timing, feel, and groove — three things that separate good guitarists from great ones.
The TechniqueThe song is built on a relentless Am → G → F → E minor progression — the same fundamental minor key movement that drives a huge amount of rock and pop music. With a capo on fret 2 it matches the original key (sounds as Bm). The key technique here is scratch strumming — releasing chord pressure mid-strum so the strings produce a muted "chk" sound. Alternate this with fully fretted chords and you'll create the percussive groove that makes the original so propulsive.
The Way You Make Me Feel
Bad (1987) · Key of E major · No Capo · Beginner
The VibeIf the other four songs on this list show MJ's darker, more aggressive side, The Way You Make Me Feel is pure sunshine. It's one of the most joyful guitar-groove songs of the entire 1980s — a strutting, wah-soaked funk number that makes it physically impossible to sit still. The guitar work on the original is deeply funky and full of attitude. On acoustic, it becomes something warmer and more intimate. Either way, this is one of those songs where playing it well just feels good.
The TechniqueThe groove is centred on an E major chord with a funky 16th-note strum pattern. The main hook moves through E → A → D → A, staying in first position the whole time. The secret is in the right hand: use a wrist-driven, loose strum — not tight and rigid — and emphasise beats 2 and 4 slightly harder than 1 and 3. That backbeat emphasis is what makes funk feel like funk rather than just fast strumming. On electric, a little wah pedal adds the original flavour. On acoustic, just relax and let the wrist bounce.
Take It From the Screen to the Strings
Michael Jackson's music has always been more than pop. It's rhythm science, emotional architecture, and guitar gold all at once. The new biopic is a reminder of just how enormous that catalogue is — and how much of it was built on the back of some of the greatest guitar performances ever committed to tape.
You don't need to solo like Eddie Van Halen or groove like Jennifer Batten on day one. Start with the Am → G vamp from Billie Jean. Get the palm muting locked in on Beat It. Crank the G riff from Black or White until your neighbours know every note. These songs reward every hour you put in.
The film will leave theatres eventually. The music won't.
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